Friday, September 27, 2002

Punk Bands - Newtown, Wales

A little ancient history. These snaps from the early 1980's.
Have recently heard from one of these chaps, Tranny, and reminded me that you should see some of these styles. Was quite involved at the time, and helped to get and run a space for the youth of the town, to get space to practice and make a some noise. The local youth service hated it, and, needless to say, they tried to be quite obstructive.

Newtown, Powys. Mid-Wales. This is the region I and my family lived, before I came to Nottingham, to do my Photo-degree at University here. Look forward to getting in touch again.

Harry and Jack at the Montgomery Festival

And these shots of "The Subversives" and Tranny, performing in the Cowshed, Upper Weeg, Dolfor and the Bunker in Newtown, Powys.










As I said in starting, these picture were taken in the early 1980's. Gosh! 20years ago now.

Have just done an internet search, and see they are not "The Subversives" any more, but, have transmogrified into "Smoke Like a Fish"

http://www.smokelikeafish.co.uk



A brief history of SLAF (written circa 1999)
Smoke Like a Fish are a skapunky collaboration that pumps the offbeat religiously behind the storming harmony vocals and catchy tunes.
They were originally formed a few years back (about seven i think) in Newtown, Mid-Wales
and enjoyed a classic 3 years or so of magical manic gigs up and down the country.
The line-up at that time after initial tinkering was fronted by the super energetic MAXPOTATO-vocals,
TRANNY-guitar& backing-vocals,NICK-keyboards,STEVE-bass,T.H.PHONES- rhythym guitar & non stop bazaar dancing
and NEIL(fluff) -drums.The line-up became a seven piece later on when they came across BEARD THOMAS
an "ex" Newtown silver band failure! who was a gifted cronky trumbone player,an ancient art mastered by a few gifted individuals (mainly in Switzerland). But sadly this line-up came to an abrupt end, when MAX broke STEVES jaw at the end of a gig in their home town after an argument about the bazaar events surrounding their encore for that evening.

So, there you have it!

Northern Arts Tactical Offensive

nATo is a banner organisation , bringing together artists working on a broad spectrum of cultural, social and political issues. We are dedicated to the production of spontaneous, independent and conscious public art.

http://www.nato.uk.net/




Jai Redman has now prepared a webspace, to describe what went on, thought I'd tell you all about it.

http://www.uhc-collective.org.uk

Here is the 'Interactive Gallery of it all.

http://www.uhc-collective.org.uk/agitate/agitategallery.htm





and here is my bit, in it all.........

http://www.uhc-collective.org.uk/agitate/pages/tash.htm


Curated by Jai Redman (UHC Collective) with guest curators Kwong Lee (Mart) and Helen Knowles (RadioHalo). Initiated by NATO (Northern Arts Tactical Offensive) as part of the Blitz festival.

Participating artists included: Angel, Mark Cooley, Steven Dickie, Jo Hudson, The Jackofficer, Yuen Fong Ling, Alan Lodge, Monkeyboy, Polyp, Duncan Ross, Squall, Seth Tobocman, Jon Trayner, UHC Collective, Gee Vaucher, Andy Wake, Justine Young.



I contribured to this part of the exhibition:
Agitate Art Exhibition
Date: 20 - 28 July
Location: Great Northern Railway Complex, Central Manchester

AgiTate - Is art the mirror by which we view the world around us, or is it the hammer that smashes the mirror?
The contributors to Agitate are in the main primarily activists and their work is an extension of their politics.

This was the pre-able, for the gig......

AgiTate - An art show from the political underground.

We are pleased to be able to announce that NATO has confirmed the contributors for the Blitz Festival's AgiTate show. This unique event is the perfect antidote to the corporate spectacle of the upcoming Commonwealth Games.

The artists run the full gamut of age, experience and technique: From the untrained street style of the new wave of Manchester grafitti artist, to the seminal collage work of Crass album cover designer Gee Vaucher. AgiTate will also showcase fine artists, photographers, cartoonists, performance and installation artists; as well as a number of slide show lectures, films and performances by contributors. We are also pleased to welcome Mark Cooley and Seth Tobocman over from America.

The following artists contributed:

Seth Tobocman
Polyp
Monkeyboy
UHC collective
Steven Dickie
Gee Vaucher
Alan Lodge [Tash]
The Jackofficer
Mark Cooley
Angel
Andy Wake
Jo Hudson
Nick Cobbing
Jon Trayner

Examples of work and short written statements are available for each artist.

Is art the mirror by which we view the world around us, or is it the hammer that smashes the mirror?
The contributors to Agitate are in the main primarily activists and their work is an extension of their politics. Certainly all the work included in the show is challenging, but we are not seeking to propagandise. AgiTate's aim is a simple one, we want to ask the question 'where does passive observation end and how is the particpant/protagonist awakened, in both the 'exclusive' world of fine art and the broader spectacle of everyday life?'






The show will of course raise many other interesting questions. About sponsorship in the arts (we have taken no sponsorship money from any company to pay for AgiTate). About interaction between the public and 'art': in the face of the new trend for 'culture-lite' (witness the new City Art Gallery), does greater involvement in creative activity necessitate a watering down of content?


These are some of the links, earlier in my blog, to describe the progress of work with the Blitz Festival, up there in Manchester.

http://tash_lodge.blogspot.com/2002_07_07_tash_lodge_archive.html#78897980
&
http://tash_lodge.blogspot.com/2002_07_28_tash_lodge_archive.html#79699044
http://tash_lodge.blogspot.com/2002_08_18_tash_lodge_archive.html#80651676




Wednesday, September 25, 2002

A scary poster:



Matt the Cat design http://www.catarax.co.uk/

BASS collective Brighton Sound Systems http://www.bass23.org/



DEALINGS WITH THE POLICE and ARRESTS AT DEMONSTRATIONS

A. Overview
A summary of points discussed at a meeting with freelance journalists / N.U.J. members at Marlborough on Saturday, 21/04/01
The police are increasingly ignoring press cards and arresting journalists as demonstrators knowing they will miss their deadlines. Don't be afraid, GO TO THE DEMO PREPARED. And you could set a good legal precedent! Your first hour in custody after a wrongful arrest is worth £500.00 in compensation!

The following is intended to be a general overview of points relevant to freelance journalists attending demonstrations : it principally covers preparations you can make , how to respond if challenged by an officer, and what to do at the police station.

B. Your rights at demonstrations

1. Same as for an ordinary citizen - no special law protecting you re civil / criminal liability
2. However, before an officer can arrest a person he needs "reasonable suspicion" an offence is being or has been committed. If a case goes to court the officer would have to justify how he formed that reasonable suspicion. Because as a reporter you are there to report on events rather than there as an ordinary demonstrator it ought to be harder for the officer to justify to a court that he thought you were offending / had offended, and therefore a Not Guilty verdict and a successful civil claim for wrongful arrest are more likely.
3. It follows that it is most important you identify yourself as separate from the demonstrators themselves - there will be less chance of an officer being mistaken about your role.

C. What can you do to ensure you cannot be confused with the demonstrators?

1. Simply arguing it was clear you were a photographer is not enough - some demonstrators may have them for example.
2. Accreditation cards may help if shown to the police at the time, but are not always enough, eg, some officers have ignored them arguing they could be forged. If arrested though ,you ought to show the card to an officer of as high a rank as possible.
3. Distinctive clothing - may be worth considering a distinctive colour, agreeing a standard form with other journalists, clearly marking your clothing "Accredited Photographer", using "bibs", jackets, hats.
4. If you can bring yourself to do it, wear a suit in addition to the distinctive garment you decide upon to aid that aura of respectability.

D. How to respond if police try to arrest you

1. Challenge their right to arrest you , search you ,take your equipment - in other words ask them "why?". If possible, make a note of what the officer says in response, or have someone witness it. This may help avoid arrest at the time, or aid your subsequent civil claim for compensation.
2. Do all you can to point out that you are press.
3. Only challenge the police within the law! Do not make matters worse by committing a separate offence, eg, assaulting the officer or resisting arrest.
4. Again only acting within the law, object to the handing over of equipment. The officer may still remove your gear, but you may be able at a later date to argue any search was unlawful

E. How to respond at the police station

1. Ensure you are represented by a solicitor. Ideally, ask for a solicitor to attend the station. You can call a solicitor of your choice or ask the Duty solicitor to attend. At the very least you should obtain advice from a solicitor over the telephone - the Custody Sargent will arrange it and within reason you can spend as long as you need speaking to the lawyer about what you should do.
2. Do not fall for the police tactic of telling you not to bother with a lawyer because you may be waiting for a long time until he arrives.
3. For the type of offence you may commonly have been arrested for a police interview may be unnecessary anyway and the time you should be detained ought therefore to be limited.
4. Have your say. The arresting officer takes you before the Custody Officer when you arrive at the station and tells him the basis for your arrest. Ensure that description is entered in the Custody Record (A log kept during your stay at the station - you can obtain a copy of this document at a later date and it is very often helpful for evidence purposes, thereby boosting your chances of a successful compensation claim) . Any complaints you have regarding your treatment should be added to this document.
5. Be as polite as you can be - you are likely to be treated accordingly, eg, released quicker.
6. Do not be tempted by the police argument that if you admit the allegation you will receive a "Caution" rather than a criminal conviction. If cautioned, your details will remain on the police computer for up to 20 years, plus a caution will have a damaging effect upon any subsequent civil claim , false imprisonment.
7. Argue your Human Rights are being ignored. The Human Rights Act 1998 is now law - be prepared to argue - reasonably - that the police action is contrary to Freedom of Expression, and to Freedom of Assembly and Association.

Alan Wilson, Thompsons - 0161 819 3500 - http://www.thompsons.law.co.uk/



Have been maintaining a Photo-Journalist "Hassle list", check this lot out ........
http://tash.gn.apc.org/journo_hassle.htm